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Busy Busy Bee

Lots going on to keep me busy up through the end of the year, and I realized I hadn’t posted about any of it in this space.

First up, I’m one of the artists on Perna Studios’ upcoming debut card set, Classic Mythology.  Really great set of artists on this set, with a high caliber of art that is challenging me to push myself to the max.

 

Then, I also accepted an invite to do some sketches for Boo’s Alice-in-Wonderland-themed pinup card set, which is proving to be a lot of fun.

 

Finally, more about work done than work doing, the Womanthology site has a preview up of some of the gorgeous pages filling up this anthology … coming soon soon soon!  I’m super-proud to have been a part of such an awesome project.  If you want to get a copy of your own, head down to your local comic shop and ask for it by name!

This cast list makes Tetsuo angry!

Actual actors are apparently being considered for the Hollywood remake adaptation bastardization version of Akira.  Among them, Garrett Hedlund of Tron Legacy, Gary Oldman, Helena Bonham Carter, and Keira Knightley.

Now, I don’t know about you guys, but to me, nothing says “warring biker gangs in a futuristic, cyberpunk version of Japan” like Keira Knightley and that guy from Tron.  Am I right?

(Also, aren’t the main characters high-school aged?  Does anybody buy the Tron dude as a high-schooler?  Even in this age of high school students as portrayed by late twenty-somethings?)

Hat tip: io9

Part Five: Motherhood and Beyond

The final chapter, at last!  If you missed the previous installments, you can get caught up real quick (and by “real quick,” I mean, at a leisurely pace over an hour or two, since I failed to be terse, short-winded or laconic with these posts):

Previously: I attempt a rewrite, and then I  get stuck.

DOOM

Your DOOM is coming!

There might be pregnant ladies out there who can finish a novel, put a gourmet meal on the table every night of the week, knit baby booties, and liberate oppressed nations single-handedly, all at the same time, but I was not one of them.

Pregnancy for me meant exhaustion and depression and, when the exhaustion and depression finally went away, being too big and uncomfortable to sit in a chair for any length of time–which made the exhaustion and depression return.

And I panicked.  I thought, Dear God, we have no money now, what the hell are we going to do when the baby is born?  Babies are expensive!  I need … A PLAN!

So the plan was:

1. Finish the novel before the baby was born.

2. Send it out to betas.

3. By the time the betas were done reading, I ought to have the whole Mom thing down, and be able to do edits and make necessary changes.

4. Start querying.

5. Land an agent.

6. Get published.

According to the timeline I had established in my head, I ought to have made it to Step 3 by early 2011, and be well on the way to Step 5 by summer.

It is to laugh.

I signally failed to finish the novel before the baby was born.  In fact, I failed to make any progress whatsoever, and most everything I wrote during that time was awful and had to be deleted.*  I made negative progress while I was pregnant.  I blame the panic.  I stopped writing because I loved the story, and started writing purely so that I could get published and make money.

DOOM

Hello, my adorable sweet time-eater!

In October 2010, my son was born.

Between various unrelated-to-the-novel deadlines, and The. Most. High-Maintenance. Infant. On Earth. it wasn’t until just two months ago that I had the time and mental energy to write again.

All of the above, I know, sounds like an endless complaint–and yes, the year of my pregnancy was awful, and the year following my son’s birth has been one of the hardest of my life.  But last year, a year ago, when I was feeling my child writhe and flail and kick inside me (he hated being confined, even in the womb, this kid, I tell you, he’s crazy) and wishing like hell for a time turner so I could just get it over with, I still wasn’t ready.  I wasn’t ready to finish my novel, I still didn’t know enough, I was trying to do things for the wrong reasons, I was in general my own worst enemy.

Isn’t that always the way?

*Not true.  Much of it turned out to be usable later on, with editing; it just didn’t fit in the story where I thought it should go.

Michelle and I have been online buddies for awhile now, and her latest project, Cursed, is a rollicking fun fantasy, which she is posting on her blog.  Here’s an interview with her, about her process, her inspiration, overcoming writer’s block, and her favorite books!

More Girls, Please

So this weekend my buddy Craig and I were kicking around ideas for the comic book we eventually want to put together.  Following the Rule of Cool–or maybe it’s Rothfuss’s Law*–we are throwing every awesome thing we love into the mix.  We’ve got Amazons riding flying bears and wolves and whatnot; we’ve got super-advanced ancient technology, the secret of which is now lost; and of course we’ve got sky pirates!  We’ve got two main characters, the sky pirate captain (older, male), and a young Amazon warrior (younger, female).  Then, as we were populating our sky pirate crew (cynical captain; ex-nobleman; Viking berserker bear-warrior), I said something like,

“We need a woman in the crew.”

Craig looked at me funny.  “Are you sure?” he said.  “Once we’ve got the Amazon girl travelling with them, the other woman won’t have much to do.”

I love this show, but why are all the Gargoyles dudes?

“That’s fine,” I said–rather emphatically.  “More women equals better.”

He still seemed a bit confused, but I carried the point, and we’ve got at least one female in the pirate crew.  (I think I can finagle some more.)

The incident got me to thinking, though, about the difference between my POV as a creator, and his.

I can’t read minds, but it seemed like what he was thinking was, “Why do we need another female main character?  We’ve already got one.”  And I was thinking, “Women kick ass!  Let us therefore have a variety of kick-ass womenfolk in our story!”

Craig’s line of thinking (or the line of thinking I am attributing to Craig, anyway) is based on the erroneous idea that, while men are good at lots of different things and have lots of different characteristics, women are basically only good at being female.  That is their character trait.  So you’ve got the Captain, the Former Nobleman, the Viking Warrior Badass, and the Girl.  What does the Girl do?  Well, she’s a girl, right?  What more do you need to know?

Stated baldly like that, of course it’s a ridiculous notion.  Think of any two women you know.  Are they exactly the same, interchangeable?  Of course not.  And yet it persists.  Check out the TVTropes page on the Smurfette Principal for examples.

Yet, when I think about some of my favorite stories, in whatever medium, they share a common characteristic: The main characters are defined by their role in the story first, and their sex second.

Why are they in Star Trek uniforms? Because it's awesome.

Think about Firefly.  (I know I do!  Almost all the time!)  Your main characters are: The Captain, the Stoic Badass Warrior,

the Merc, the Mechanic, the Pilot, the Hooker, the Preacher, the Doctor, and the Damaged Psychic.  (That’s a lot of main characters!  Way to go, Firefly!)  On a typical show, who do you think would be female?  Probably only the Hooker, and

maybe the Doctor also, and the rest would be guys.  But!  We already know that, on the show we loved and lost too soon,

nearly half the main cast is female!  Even better, it’s not the characters you’d expect: Zoe Washburne is perhaps the most badass of Stoic Badasses, and if anyone can fix up a ship better than Kaylee, we haven’t met that person yet.  As for River, she can kill you with her brain, and Inara, though she is the character most dangerously close to cliché-ville, is still a living woman with a complex relationship both with her job and her clients, and the life she’s chosen to lead aboard Serenity.

Similarly, maybe you haven’t read The Lies of Locke Lamora and its sequel, but you should.  Women are everywhere in these novels; they are brilliant thieves, politicians, gymnast/gladiators, soldiers, pirates, guardsmen … any job you see a guy doing, you see women doing it too.  The best part is, it’s completely taken for granted.  Not, “Hey little lady isn’t that sword a bit heavy for you there hur hur hur?” but “Oh ergh yeah please don’t impale me ma’am please ma’am.”  (The pirates in book 2 are hands-down awesome.)

Every time I encounter a work like that, like Firefly or Locke Lamora, in a world where women just do awesome things and no one remarks on it, because of course they do, I stand up and cry, “More like this, please!”

More pirates, adventurers, thieves, badass warriors, scientists, teachers, preachers, merchants, captains, rulers, rebels, sorcerers, mathematicians, grammarians, librarians, artists, writers, postal workers, good people, bad people, people who love cats and hate children, or who love children but hate people, people who get the job done, or who would rather let the job wait and just enjoy a nice cuppa, people who are women.

—–

*I don’t remember the context at all, but I’m fairly certain Patrick Rothfuss once said something on his blog about throwing lots of disparate elements into his books because he loves them and thinks they’re awesome–and what other justification do you really need for flying bears, sky pirates, amazons, etc?  I think this should be called Rothfuss’s Law.

Previously: Apparently I was not as awesome at nineteen as I thought I was.

Remember these guys? I've got a drawer full.

We live in the digital age.  My manuscript is stored in a folder on my hard drive.  Every time I make a major change, excise a bunch of text I’ve previously written so that I can backtrack to an earlier point (this happened a lot between, say 2008 and August 2010), I save a new version of the file.  So we start with SB_new-rev_01.rtf, then [...]_02.rtf, etc.

There are seventeen versions in my backups folder.

None of them make it past Chapter 14.  What happened?

The Haunted Freaking Forest.

The Haunted Forest is, I think, the low point in the original manuscript, the absolute nadir of lame-osity.  It embarrassed me to read, and it embarrassed me to think about, and despite its containing some rather important foreshadowing and a major character introduction, I just wanted to skip over it  and get on with the good stuff.  I took three or four separate stabs at the rewrite before I got impatient and bored and decided some summary and some hand-waving were good enough, and we could move forward now.

BOY. WAS. I. WRONG.

What? You don't want to hang out here forever?

I still can’t believe I was so dumb.  Skip the major character intro?  What was I going to do later, when she became important again?  Toss in a chunk of exposition?  Lame, lame, lame.

I am not one of those writers who can skip the boring bits and then go back later and fill them in.  Even on a rewrite, where the boring bits already exist, if only in rough form.  (Of course, there shouldn’t be any boring bits, should there?  Not if one is doing one’s job right.)  The haunted forest being incomplete and incorrect made it impossible for me to get one with the story.

(I think it has to do with character development, and the natural throughline of the story.  Check out Patricia Wrede’s blog for more on this; I can’t scare up a specific post right now, but she seems to have a similar thing going on with her writing.  Which makes me feel better about the way I flail about, since she’s, you know, a pro.)

I tried.  Good Lord did I try!  Versions 04 through 017 are me trying to move on with the story without going back to the haunted freaking forest.  “No no no!” I said.  “I hate the haunted forest!  The haunted forest is lame (and I don’t know how to write it)!  Can’t we just … move on?”

And then I got pregnant.

On to Part Five!

My buds at Grail Quest Books, a young sci fi and fantasy publisher of comics, audiobooks, and full-on novels, have the chance to make their dreams come true. They’re pursuing the opportunity to license and publish novels and comic books based on the HIGHLANDER series of movies and shows, but, of course, nothing happens in this world without money.

By now you’re probably familiar with the Kickstarter model: ordinary folk like you and me pledge what they can towards a project that catches their fancy; maybe a buck, maybe 20, maybe more. If enough folk pledge enough dollars, the project funds and the creatives can move forward. If the project doesn’t meet its goal, you don’t pay a dime.

So here’s the Kickstarter page to raise funds for Highlander license, the production of the books, and, yeah, probably some money so the fella writing the books can afford to feed his family while he does it.  :D

Go have a look. Even if you can’t afford to pledge, could you do me a favor and spread the word?  Highlander still has a lot of die-hard fans; if we can capture their interest and attention, I think this project can happen, and my friends’ dream of getting their company out onto the world stage can become a reality.

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