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Posts Tagged ‘comic books’

batman-v-superman-trinity

Sorry about the clickbait-y title, guys; I couldn’t resist

Batman v Superman: Dawn of Justice hit theatres this weekend, and love it or hate it, seems like everybody’s talking about it. Whether it’s Vox’s piece on Nineteen Things That Don’t Make Sense coming down on the Hate It side, or articles about the film’s impressive box office returns being used as evidence for Team Love It, everyone has an opinion.

And here’s the shocking bit. Are you ready?

Love it or hate it, that’s your opinion.

I have friends who adored it, who will probably go see it fifteen more times. I have friends who deplore it, who have written at length on why they think it is so terrible. I also have friends who haven’t seen it yet, or don’t plan to see it at all, who are indifferent, or who were genuinely unaware that this movie was happening. (Me, I don’t have an opinion; I haven’t seen it, and likely won’t until it hits Netflix.) But the thing is, whether you think it is the best thing since individually wrapped cheese slices (let’s face it, those things are amazing), or a big steaming pile of terribleness–

That’s okay.

It’s your opinion.

You can like what you like, or hate what you hate.

Think on the old Latin saying: De gustibus non est disputandum. Roughly, “Guys, we shouldn’t argue about matters of taste.”

It’s not just that you can like what you like, or hate what you hate: my opinion of a work of art (which BvS arguably is) in no way diminishes or counteracts your opinion, even if we disagree.

When it comes to matters of taste, we shouldn’t fight. Certainly I’m the last person who can throw stones; one of my favorite movies of all time features two hours of giant robots punching giant monsters, and I’ll happily argue its excellence to you if you have the time and patience for it, but if that’s not your cuppa, that’s cool too.

Opinions aren’t objective, no matter how pleasing to our egos it might be to pretend that we ourselves are the Final Arbiters of All Aesthetic Goodness (or whatever your yardstick is). Now, whether or not the thing you like is objectively good or terrible is a separate question, and one people smarter than me have been tackling for many and many a year, and outside the purview of this little blog post–but even if it is terrible (as many folk said about Pacific Rim, and are saying about BvS), it’s still okay to like it. Something in it feeds your soul, or fires your heart, or sparks your imagination. It’s downright cruel to try to take that away from a person.

So, guys, let’s not fight about matters of taste.

(Although, if you think Pacific Rim is terrible, you’re just wrong, and that’s a fact! XD )

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No, I haven’t seen it.

But I was reading a review, and it got me to thinking: the problem with all these “gritty” or “realistic” or what-have-you superhero movie adaptations is that they try to soft-shoe around the original material. “Look,” the filmmakers seem to be saying, “yeah, we know it’s based on a comic book (shudder), but it can still be A Serious Movie.” And they downplay all the elements that actually make the comic book awesome.

Take Doctor Doom.

Sideshow Collectibles' Dr Doom figure--look how cool this guy is!

Sideshow Collectibles’ Dr Doom statue–look how cool this guy is!

This guy is awesome, right? He’s a super genius ruler of his own small European country, a dictator, a scientist, he talks about himself in the third person, he does not at all care what you think for HE IS DOOM.

Awesome.

So why the heck would you downplay or straight-up remove all of that from your movie? You think maybe a European genius dictator named VICTOR VON DOOM is too goofy, audiences won’t buy it? Then why the heck are you making a movie with someone named Victor Von Doom in the first place? No, the only way to make a movie, a good movie, with a supervillain named Doctor Doom, is to thoroughly own it.

Own your premise. Don’t be ashamed. People who think comic book material is too goofy or low-brow or campy or cheesy or whatever are not going to go see Fantastic Four anyway, I promise. But you have to own it.

This is a thing in fantasy and sf publishing, too, this feeling that elves or lasers or time travel or whatever are inherently less serious than, I don’t know, whatever real life things people prefer to elves or lasers or time travel, so we have to downplay those elements, or say “but it’s really a metaphor for cancer!” or something. Why you would prefer real life to elves et al is a question I am not equipped to answer, but some people are embarrassed by fantastic (hehe) elements in their fiction.

But you can’t do that. If you’re telling a story about elves, or spaceships, or zombies, or a the ancient, bitter rivalry between the dragon kingdom and the unicorns (I would read that novel), you have got to own your premise, own it to the hilt. Don’t be embarrassed; shout it from the rooftops! Say, YES! MY MOVIE IS ABOUT GIANT ROBOTS PUNCHING MONSTERS IN THE FACE! And if you do that, with passion and verve, you may not have told a serious story (although you can sneak the serious stuff in there, I promise, Pacific Rim forever), the “realism” crowd isn’t going to love it (they weren’t going to anyway, it’s okay), but you will have made something AWESOME.

SO SAYS DOOM

SO SAYS DOOM

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